Perceptive Insight 16

"I occasionally play works by contemporary composers, and for two reasons. First, to discourage the composer from writing any more, and secondly to remind myself how much I appreciate Beethoven." Jascha Heifitz

Perceptive Insight 15

Conductor Sir John Barbirolli equated contemporary music to "three farts and a raspberry, orchestrated." He wasn't far wrong in many cases.

Why music is cut in schools

I've held (since Mr Gingrich & Mr. Holland's Opus) that one of the primary reasons music is usually the first subject cut from education is because the decision makers are usually inexperienced in the benefits of music-making (creativity, social, self-discipline, teamwork, sense of achievement, focus, sense of occasion, etc). Some may have participated in music at some point in their lives, but unless the actual benefits were shared with them, they still consider music as a nice extra (refer to my previous "Perspective Insight" blog post that quoted Isaac Stern: "Playing music in America is like selling a luxury item...")

It's nice to see how a decision-making Principal (Head Teacher) realizes how useful music can be to the development of children/ teenagers. Click here to read one version of the full story - the focus of the story is a reduction in detention/ misbehaviour, but the real benefit is that without class disruption, more students are able learn more.

My two concerns remain using [any] music as a deterrent - instead of inviting students to listen and learn about the incredible language of audible music they get turned off completely - somehow, though, it seems at least being exposed to it will have a positive impact later in life in more people than not. My other concern is using gentle music to lull young children to sleep. Every time they hear a slow movement from a Mozart symphony for the rest of their lives, they will be inclined to fall asleep and completely miss the entire musical journey Mozart created for us. Just a warning, is all.

Perceptive Insight 14

"In 1912, the London Symphony Orchestra was the first British orchestra to visit the United States, only narrowly avoiding travelling on the Titanic."

Brahms? Oh... HIM.

[There's a video: If you're reading this on facebook click on 'view original post' below. If you're reading this in an email, click on the title above]

Do you like the music Brahms wrote? Have you even heard of Brahms? You'll probably recognize some of his music if you heard that, at least. In the growth of 'the symphony' he immediately followed Beethoven, and had a hard time doing so. Brahms' first symphony took 20 years to compose and was often referred to as "Beethoven's 10th" (Beethoven wrote 9 symphonies).

A preview to an LSO concert series last season reveals what orchestral musicians think. In this video find out what Andre Previn considers "insane", and what Tchaikovsky thought of his contemporary! Most revealing:

WNYC - Soundtracking Surgery

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We all know music has unexplainable benefits/use for our daily lives. This program discussed using music in the surgery room and hospitals:

WNYC - Soundcheck: Soundtracking Surgery (January 08, 2010)

My response:

"Such a fascinating subject. As a conductor of a variety of styles (including some contemporary rock/pop, theater & film music as well as classical), I find it intriguing that music has so far not played a more integral part in all our lives. The psychological, emotional and physical benefits of PARTICIPATING in music (listening as well as performing) far outweigh our understanding... so why don't we embrace it in everyday life? I like that Dr Conrad is formalizing reasons why we should.

"Some of my concerns, however, are not just bad associations (the reason why someone died whilst listening to a particular song could be interpreted a number of different ways) but using music to lull people into unconsciousness - such as Mozart. I'm afraid that we have a generation of children who will fall asleep whenever they hear the slow movement of a Mozart symphony or concerto when, in fact, they are missing out on an incredible aural, emotional & meditative journey! There are also dangers in using music to subdue (or inspire) behaviour as a background medium - in shopping malls, stores, and even public lavatories!

"We should remember: There's more to music than music. Isaac Stern is reported to have said, "Playing music in America you feel like you're selling a luxury item. But in England you're providing a necessity." Maybe he's right - maybe in the USA we should incorporate music into our lives far more than we do. It is obvious that certain music works to everyone's benefit in the hospital environment. Well done!"

Perceptive Insight 13

"Wilberforce knew somebody had detuned a string on his viola. He just couldn't be sure which one."

Perceptive Insight 11

"Music has a very great deal for which to thank the BBC, which has taught the uncultured public that a symphony is not so deadly as hyoscyamine, nor as painful as mumps."
Ernest Irving, 1947

Perceptive Insight 10

"Never try to tell a man how to play his instrument: he knows far more about it than you do, and will immediately resent your effort. Instead, explain exactly what it is you want, and leave it to him to produce the desired tone, effect, or whatever it is."
Sir Adrian Boult, 1947

Perceptive Insight 9

"Berlioz is France's greatest composer, alas. A musician of great genuis, and little talent."
Maurice Ravel

British Conductors

[If reading this on Facebook, click on 'View Original Post' below to see the whole article & watch any videos]

We're not ALL quite this... 'expressive'.

Perceptive Insight 8

"The grandeur of Beethoven's thirty-second piano sonata (in c minor, op.111) represents the opening of the gates of Heaven."
Robert Browning, 1982

Perceptive Insight 7

Mozart said about Ludwig van Beethoven: "Keep your eye on him. He'll make the world talk some day."

Perceptive Insight 6

"A single man (Sir Thomas Beecham) did more for British music than was done by the massed battalions of the BBC. He was not only the greatest British conductor, he was also the greatest impresario of the age, endlessly stimulating and naturally DISLIKED BY EVERYONE except his appreciative audiences."
A.J.P. Taylor, 1965

Perceptive Insight 5

In 1936 Sir John Barbirolli was appointed conductor of the Philharmonic-Symphony Orchestra of New York (now the New York Philharmonic) in succession to Arturo Toscanini. After six months Toscanini returned to conduct a concert. He said to Barbirolli, "John, my orchestra is just as I left it." Barbirolli's contract was then renewed for a further two years.

The Quotable Stephen P Brown

Thanks must go to Christopher Swann for this one:

"The plural of orchestra is 'Berlioz'."

Orchestral Common Sense?

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What's this? Someone again talking common sense? Perhaps our failed economic structure prompts the publication of the murmuring quiet undertones amongst those who see reality.

Good on yer, Mr. Kaiser! Raise that question mightily high.

Does the Symphonic Orchestra Model Work?

Not financially, is the answer. Solution? I have some ideas, but nothing anyone would ever take seriously, particularly as there are unions involved on all sides. Hmmm. Therein lies its own problems, perhaps.

A man after my own perspective!

(If reading this on Facebook, click on 'View Original Post' to see the whole post)

Having very rarely subscribed to many conducting industry propoganda-norms, especially the politics (perhaps one of the primary reasons for the lack of a 'successful' full-time conducting career), I am extremely pleased to have heard this:

Just heard on a British classical music radio station that the vastly-recorded Valery Gergiev prefers to perform with an orchestra just slightly under-rehearsed. Apparently he thinks that over-rehearsal (which to a British musician means more than once, perhaps twice) is the bane of orchestral life, and he likes to keep musicians on their toes: a concert with some 'wits' about it produces a far better experience for everyone.

Yippee! Finally, concordance from an established household name!!!
I feel justified in another of my own perspectives, at last.

Perceptive Insight 4

Besides being a celebrated conductor, Hans von Bulow was also a remarkable pianist. He was once asked his opinion about a performer who experienced a memory lapse during a recital, and resorted to improvising. Bulow's comment on the improvization: "Well, it wasn't as bad as what he could remember."

Live Music Survey Prize goes to...

Click here to have my blog sent to your inbox

Thank you SO VERY MUCH for all 214 responses to my 'Live Music' survey. After printing them all (but before cataloging them), I threw them up in the air and picked one up. Congratulations, Susan Chara! Your $50 Amazon gift card is on it's way to you!!!

It's taken me quite a while to read everyone's comments, but these made me smile, laugh, or cry!:

• Definition: "Live music is when you and the musician making the music are in the same room." (Leslie)


• Technology: "...there is no accounting for taste." (Ruan)


• Recordings: "The outside world is shut out." (Martha)


• Mental: "It's medicine for a troubled mind." (Ann, quoting Walter Haddon)


• Physical: "Reduce stress." (Harry)


• Social: "People are... less uptight!" (Jane)

Again, thank you so very much for sharing your opinions and insight. Collectively, it will create a good foundation for reading someday!

Perceptive Insight 3

During the Versailles Peace Conference, Clemenceau met Paderewski and said to him: "So you abandoned your music career to become a politician? What a come-down!"

Perceptive Insight 2

Upon passing rows of fish spread out on a fishmonger's slab, Fritz Kreisler said, "That reminds me, I'm playing a concert tonight."

Perceptive Insight

"Playing music in America you feel you're selling a luxury item. But in England you're providing a necessity"
Isaac Stern, 1983

"Ode to Hen" by Vincent Beer Beethoven

My youth-orchestra/ percussion ensemble buddies Jonathan and Graham are now brewery film stars! This is:

1. Classic.
2. Typical.
3. SO MUCH FUN!

Love it, guys. Well done, Jon.

(Click here if you can't see the video on Facebook)

Discover how to listen to music

Check out this great article:
Discover how to listen to music

Simon Cowell's letter to himself

How many of you can identify with this? I mean, this might be a letter you write to yourself, with the names, dates, places, companies, and industry somewhat different, but the circumstances, feelings, reactions of others, and self-doubt are entirely your own. Ignore the Simon factor, and read what he's writing. You'll be surprised.

Needless to say, I have written a similar letter to myself recently. No-one knows, and no-one's seen it, not even Melissa my dearest companion & wife. In fact, I think I deleted mine. Anyway, perhaps there's hope. Perhaps there is direction. Perhaps God is still prepping me/ us for something way beyond our wildest dreams. Perhaps He isn't. But my journey has surely been one of the roughest ones out there. My own mother would often remark about her wonder at how I survive my (often self-made) trials and tribulations. They say there's nothing gained without risk and failure. Did you see that motivational video flying around facebook & youtube recently? Well, I need thirty-three more hands with ten fingers each to count the number of 'failures' I've experienced - projects that have fallen flat, ideas dismissed and laughed at, being made fun of in school, presentations at work that were ridiculed, and worryingly egocentric decision makers who consistently maintained their faux dignity by quashing every idea, move, project, report, application, business plan, marketing plan, and attempt to better one's life. I'm tired of trying to please everyone else, coz it's can't be done.

And, of course, going bankrupt thanks to being taken advantage of by a particularly clever intimidating self-centered real-life 'actor'. Humilitating in every respect.

But things are turning around. Melissa and I didn't have to pound the pavement, although things got pretty intense. We have each other, we have a wonderful home, and we have our faith (and all that goes with it. Like... people). Maybe I won't be the next Herbert Von Karajan. Maybe I will. Maybe there's no future in classical music. Maybe I'll get a record contract! Only one person knows, and He will only reveal everything in His own good time (and little impatient me gets frustrated sometimes!).

So, read this letter. Ignore 'Simon' and draw the inspiration it contains. I assume that's why it was published. Wow... I used to be an utter optimist, and there's a little glimpse of it again! Yippee!

It's still exciting...

I still get a thrill from being on the radio! Thank you, Dave, of Star 99.1 FM!

Click here to listen to the segment.

BTW - Dave is really good at editing, too ;-)

Rare Victor Borge

I've seen many Victor Borge sketches but came across this one only today. Remarkable. The guy really was a genius in many ways. Of course, it helps to have a basic knowledge of the classical music repertoire, so something like Borge's humor probably wouldn't be all that funny these days. Such a pity - we've lost so much in the past 20 years.

ENJOY

Christmas & Summer Concert British-style Brass Band!

[If you're reading this on Facebook, please go to www.stephenpbrown.com/spbblog.html for all the links to work! And remember to SHARE this post on your wall]

In lieu of a monthly newsletter, I am inviting you to "have your say" regarding one of the most delectable, smooth & brilliant community-based concepts the human soul could ever experience, and consider an idea that has been presented to me several times, particularly in the past few months. Your global/ worldly influence and direct input will ensure the correct, focused, and passionate formation of a British-style Brass Band in Northern NJ.

"What is a British-style Brass Band?" I hear some of you ask.

Brass Bands in the UK and the Commonwealth began in the mines and collieries of the Midlands around 1810, and now consist of 26 specific instruments and players, including three versatile percussionists. All performing members are volunteers who dedicate their time and talent to pursuing a perfect performance, either in community concerts or in regional and national competitions against other bands. Please read this excellent article by Douglas Yeo (trombonist, Boston Symphony Orchestra) about his experience with a British Brass Band.

It has been suggested that my own experiences playing for several different brass bands in the UK (primarily The Medway Brass Band and Aveley & Newham Brass Band) along with 20+ years training as a conductor, will help develop a new British-style Brass Band in Northern NJ. Alongside the Princeton Brass Band, the Imperial Brass Band, the Atlantic Brass Band, and the ever-growing NABBA, this new ensemble will provide Northern NJ communities (and beyond through CDs & DVDs) with their own creamy* resource for Christmas and Summer concerts.

Please do two things:
1. Answer the five questions in this initial survey, and
2. Encourage as many musicians, community supporters and volunteers as you can to complete the survey, whether or not they live in NJ! You can forward this email, or post the link below in a blog or on Facebook!

http://survey.constantcontact.com/survey/a07e2l1cq9rfzyd22y0/start

Thank you. With sufficient people also excited about this tremendous opportunity, it will not be long before we are able to form, fund and furnish a heart-warming band that many local communities can utilize for a great many reasons!

Please ALSO forward this post to all brass & percussion players, teachers & students in your realm of influence.

Here's a video compilation of a few British-style Brass Bands performing in the Netherlands in 2005:


*as described by Christopher Swann.

Amateur Excellence

I've often been chastized by close friends and colleagues for being a perfectionist, and I've stopped referring to my musical experiences in the UK because they have caused resentment and responses along the lines of: "we're not good enough for you", or "of course the British are so much better than everyone else", or even "you really are mightier than thou." Serious Ouchness. (anyone who can claim to know me well knows how much this hurts).

So rather than share my stories and offer reasons why I like things to be done with our best possible efforts, I just do it. If the results are excellent, Great! If they're not, that's OK too. Yes, I compromise and justify it as 'survival' (!). It's also very interesting to witness so much trendy talk about 'excellence' without any backing commitment to it. I guess one needs to understand what excellence is before one can even attempt to achieve it!

So, I was pleased, VERY pleased to recently come across this article by Douglas Yeo, a US professional musician who witnessed first hand, the kind of musical environment I grew up in. His article has given me confidence and a little satisfaction that I'm OK - I'm alright. The things I worry about are worth worrying about, regardless of what friends & peers often say. Almost beaten to the ground, this article came at the right time to boost my spirits, and I truly look forward to maintaining the pursuit of excellence Douglas himself experienced.


This is one of the brass bands I played for in the UK, The Medway Band. At the back center is my dear friend Mark Andrew, and one of my ex-students, Richard Scarff is now playing for Aveley & Newham - another band I often played with. Good on ya, boys! Keep up the great playing...


I have often felt that the amateur brass band scene in the UK is one of the most intriguing outlets of self-expression that exists, and through it I learned much about dedication, hard work, loyalty, EXCELLENCE, team-work, reliability, presentation, my role amongst others, and society: although fierce enemies on the competition stage, players from different bands will drink beer and laugh together with players from many other bands (usually about conductors, I might add) but all are welcome! The real kick in the teeth? These players engage in these qualities by choice. For Free. At their own will. They're not paid, forced by gov't, or have nothing else to do. Remarkable, endearing, and very convincing.

It's ironic that as I make contacts in the USA brass band world, Doug's name came up as a potential resource! Timing is everything, and I am still convinced nothing is coincidental.

Go on, be a daredevil: don't settle for anything less from yourself. You can accomplish amazing things with the right guidance, so give up any self-centered-ness, and allow perfection to shine through you.

Inclusive Worship

Back in June Melissa and I came across a non-denominational church in Florida that seems to have balanced the celebrity church thing. There is much debate about churches that are based on celebrity pastors & worship leaders, etc, and the recent lack of integrity so prominently displayed by a disappointing wealth-mongering couple in Texas.

In any event, in my experience, most traditional denominations have a Director of Music or leader of worship arts who simply ensures worship takes place. The modern trend of CCM (which is rapidly losing support behind the scenes, btw) employed by so many modern churches seems to favor the promotion of one individual who leads worship, prays, gives notices, and so forth. This causes two problems:
1. Generates a celebrity.
2. Causes rife and separation in the donating congregations.
Why alienate half your church?

The Grace Family Church in FL does have a Worship Arts Pastor, Al Hurley. I have no idea who he is because he was not identified, nor could I guess that 'that guy up front' was him either - there was no 'guy up front'. What is apparent is that he is intent on and capable of inspiring inclusive worship. The congregation were singing throughout, there was a small band on stage with a horn section & percussion, and a show choir. The impressive part was all nine 'lead' singers spread across the front of the stage. Not one of them stole my focus.

For each of the four songs we sang at this service, a different lead singer invited the congregation to join them. In this video, it was the lady in pink, but see the chap at the back of the choir raising his hand? He stepped down to lead one of the songs, alongside the other lead singers. There was no celebrity, there was no yawning in the congregation, there was plenty of singing, dancing and hand clapping, and there was a true sense that worship was taking place.

WELL DONE Grace Family Church! This little servant applauds you!

Important classical music

On Facebook this morning a dear college friend asked what we thought were some important pieces of classical music: "A question for all you musicians out there.. In your opinion, what are a couple of the most important or profound classical works? This is either from your perspective, from the composers perspective in relation to their body of work, or from a historic perspective as an influence on the development of classical music."

I was genuinely STUNNED! At first, it was real hard to narrow down, second, not repeating the multitude of answers already posted was tough (actually, couldn't do it), and third, the incredible range and reasons for my answers impressed even I! Not only that, but I ended by stupidly saying "Let me know if you want more"! ???????? Am I really that geeky? (Don't answer). I could go on and on and on and on and on and on with this list, but she only wanted "a couple". Failed at that, too. I love it, though. This was a FUN exercise. Thank you, Sally!

SPB's list:
Milhaud - La Creation De Monde (classical+latin=jazz before Gershwin did it);
Copland - Appalachian Boing;
Shostakovitch - Festive Ov (You can be depressed, repressed and Big Brothered but still write joyful music);
Coates - Calling All Workers (Woah!);
Beethoven - 7:2 (You can be deaf, mad and smell but still write expressive music);
Glass - anything;
Part - Cantus In Mem... Ben... Britten, or Ravel - Bolero (both incredible 'exercises');
Sure about Ives? He was an insurance agent, and an organist to boot.
Risky Korsettes Off - Scheherezade (orchestration);
Kodaly - Hary Janos Suite (love the opening sneeze);
SOUSA! (Ok, there's a reason his songs and operas didn't survive, but you don't HAVE to mention them);
Prokofiev - Peter & the Wolf;
Mozart - Feeeeegaro (ov &/or opera);
Janacek - Katya Kabanova (a bit sad, though).

How would YOU answer that question?

The Quotable Stephen P Brown

Melissa: "Did you hear they're coming out with a musical about the Addams Family?"
Stephen: "I'm still waiting for 'Tom & Jerry, the Musical'."

Music on the brain

AHA! There IS more to music than meets the eye. Or brain. Or whatever... This FASCINATING article reveals some of the PHYSICAL effects of music! I particularly like this bit: Scientists cannot identify the brain of an artist, writer, or mathemetician, but they CAN identify the brain of a professional musician! WHAT?!!!! Thank you, Charity, for posting this on facebook!

POPCORN!

I was recently reminded about this FANTASTIC, uplifting, feel-good, smiling piece of music that my parents used to play on a colorful 76rpm LP, entitled "THE MOOG".



Enjoy that? I sent it to about 15 folks at work and before you could blow your nose, it had spread throughout the company like wildfire and was causing a spike in computer memory usage!

Anyway, although the original was impressive I then read this fabulous and very creative history of the piece. Bravo! No less that ELEVEN versions of the same song. My favorites are the Boston Pops version, and the native indian original folk tune... prepare to laugh.

All sorts of music

I love music. One of my frequent quotes that might actually make it to 'epitaph' status is "I love this music". Thing is, I like classical, film, pop, rock, theatre, instrumental, and a whole variety of other 'genres' and 'styles'. Of course, I have my favorites and these little sketches consistently make Melissa and I crack up. Music is as much about performing as it is about the content. Always. Whether it's at a concert, in the theatre, recording studio, church, or in my den. These two diverse musical performances are CLASSIC, and should remain so for ETERNITY!

Morecombe & Wise are two revered British sketch comedians from the 60s, 70s & 80s. More celebrities appeared with them than on the Muppet Show! Enjoy...

TOM JONES! (1min 30sec)


ANDRE PREVIN! (a whopping 10mins 50secs)

What a birthday weekend treat! Melissa and I singing at Carnegie Hall with some friends (and a couple hundred strangers), along with a world famous composer (John Rutter)! It was a terrific day.


This is for my sister. Sorry we didn't eat at 'your' cheescake deli, but we'd already ordered


Melissa in front of the building
(She shines up real nice, right?)


M doesn't like this pic.
I do ;-)


GREAT PIC!


Here we are waiting to enter through the stage door (Not my first time, but here I was fully dressed BEFORE I went in!)


And here we go...


Melissa & Dena in the green room


Twould be nice to have some pics of the stage/ performance, but Carnegie is a union hall and the concert promoter didn't arrange for any photos to be taken (plus, it would cost a fortune!)

John Rutter's Magnificat

There aren't many choral singers who haven't heard of John Rutter, yet most are probably unaware of his impact on the British and American choral scenes. The carols, anthems, arrangements of hymns, etc is immense. And his concert works display an incredible intelligence and a style of expression that remains unmatched. On top of that, he's had tremendous success as a performer and recording artist, particularly with his own group The Cambridge Singers and his own record label, Collegium Records.

Melissa and I were invited (as part of Jacksonville Chapel Choir - thank you, John!) to sing for Rutter at Carnegie Hall this weekend. Didn't take much for us to say yes, primarily because this will be the first time we both will have performed on the main stage (Stein Auditorium). And we'd both heard of Rutter, even though neither of us knew his MAGNIFICAT. Melissa was particularly looking forward to this work as her Catholic schooling made her memorise Mary's Canticle. I hadn't got a clue.

So, we bought the CD, got the vocal score and lo, enjoyed something quite sparky and unexpected. Little were we prepared for the composer's perspective on the piece, and it was honestly refreshing to be a part of something that had to be perfect. There was no room for error, "just sing what I wrote" made Melissa and I gurgle with excitement, and the sheer fantastic voicing, progressions, text, anger, placidness, expressions, dynamics, phrasing, & quality reminded me that great music is still worth delving into in incredible detail... I'd forgotten.

I shook Rutter's hand. He shook his teacher's hand, who shook his teacher's hand, who... so apparently, I'm five handshakes away from shaking BEETHOVEN'S HAND! Oh, and during a rehearsal break, the three of us chatted about Rochester, Charles Dickens, Latin America, and how men's fashion is so predictable!

And I want to compose again. And I want to conduct professionally again. And play the piano, remind myself how to read scores at the piano, etc, etc. It's happening to some extent, and I am LOVING IT! Who know what the future holds.

JSO & SPB - a transformation

Kamel Boutros, the Music Director of Calvary St George Church on Park Ave S & 21st st in NYC said, "You've transformed this orchestra."

Last night's performance was my first with the Jubilee Symphony Orchestra as its Artistic Director. Kamel has conducted them before and also appeared as a soloist with them. His comment was genuine and transformed my confidence from 'am I ever going to be a decent conductor again?' to 'Cool! I'm still good at my job!'

Also genuine was the audience's surprising response... in fact, I had to ask my wife if what I heard was true or if my ego was awash with pride. First, some context:
This concert was in New York City on a Saturday night - we were competing with the NYPhil, the Met, a Carnegie Hall recital, etc, etc. We were also performing at the same time Joel Osteen was in town. Not all our members are professional musicians, and attracting an audience was tough from day one. The fact that it would be an audience from a tough [read: critical] town didn't help. HOWEVER! About 300 people did turn up, and they applauded.

Here's my observation: When finishing each of the pieces I conducted, I turned and bowed (the traditional manner of saying 'thank you for listening'). I turned and got the orchestra to their feet, thanked them, then faced the audience again. The applause seemed to increase in volume, dramatically. This is unusual. It would indicate that the audience enjoyed the performance but specifically appreciated the conductor's efforts to produce excellent music and not get in the way by dancing around the podium. This reaction caused me to smile - no, beam - and not letting it get to my head I asked Melissa if I did actually hear an increase in applause volume. She said yes, and reported that the audience did enjoy my music making.

Phew! I haven't lost it! And then Kamel's compliment helped round off the buzz.

Unfortunately, I didn't press 'record' on the video camera before the first half so I missed capturing the VERY BEST piece on the program - which was played well (Faure: Masques & Bergamasques), but here's a little bit of the second half (Honegger: Pastorale D'Ete) in which I had my work cut out for me: the flute player got lost, and the violins got ahead. At least we ended together!



You know, I thoroughly enjoyed last night's concert, and really appreciate the support of all the players, Chris & Miriam, the usher hanging out in the lobby watching me pace during pieces I wasn't conducting, Ginny the Chorus Director, Kamel for the use of his venue, and Melissa & her friend Rachel for their patient support - I was distracted all day and even sang a little "I'm annoyed" ditty in the car when we got stuck in traffic and I was 20mins late.

Ah well. All in all a good first concert, methinks. I'm REALLY looking forward to this orchestra's future (including all nine Beethoven symphonies in one year!).

The Quotable Stephen P Brown

"I love this music."

trying to "bully" British songwriters

I've been devoid of interesting topics to blog about, except plenty of whining [In case you don't know, Bliss 9 - an arts festival on Apr 3 is cancelled].

The BBC have been reporting on a hot topic and this latest post inspired/ angered me to share something: I still really do hate British music unions and professional associations. One reason I left the UK was to rid myself of their imperialism. (I'm a royalist, but these unions go WAY too far). For example, the Performing Rights Society is accusing Youtube/Google of holding songwriters hostage. This article is a perfect demonstration of how the British sabotage a successful image, thing, product, service, by over-pricing it. Why do orchestras need public support? No-one would be able to afford the tickets prices. My answer: reduce the number of orchestras. In London, for example, fill concert halls with two or three major professional groups instead of the 12 that are struggling now.

The current debate isn't even classical - it's mainstream. We Brits are good at charging $10 for an item and when a salesman comes along and sells 500 times the number we were expecting, we now want to charge $75 for the same item. Please. Get a life. Increase the musicians'/ songwriters' income REALISTICALLY, not exponentially. Make more money by selling more products. Increase the price too much, and no-one will buy, which is EXACTLY what's happening right now: Youtube doesn't want to buy and broadcast mainstream music videos because the PRS is asking too much money - I wouldn't want to buy, either! AND, inconceivably, this is NOTHING NEW! Wake up, fellow Brits. Smell the pollution you're creating!

Good luck. I don't get royalty checks anymore, and in this instance, I support Google. In fact, as my own music video production gets underway, perhaps I'll pursue my own agreement with Youtube/ Google and bypass the unessentials...

If only...

There are lots of "if only..." moments in my life. Like, 'if only I'd stayed in Africa and bought that hotel.' Or, 'if only I'd been patient and played percussion professionally a bit longer.'

There are very few regrets in my life. In fact, I have two potential candidates for that category.

And yet there are a myriad... no. That's not big enough... an immeasurable number of 'argh!' moments. Some are even 'ARGH!' moments.

Like, the frustration experienced when one witnesses the perfect opportune moment slip away.
Or when the really annoying unthinking selfish manager commits frequent fundamental grammatical errors ("Their waiting for you to feedback.")
Or when you have a perfect idea but no means to implement it.

It is this last perspective that often finds it's way into my consciousness. And now its even worse when I did once, twice, several times have the actual resources that, if used differently or if were not impacted quite so fatally by circumstance, would have enabled the most profound, excellent, sparkling, lucrative, enjoyable, impactful projects to serve a great many needs. Like... Chicken! [LOL]

Idea 1: For an initial investment of $500k, I can setup a professional full symphony orchestra in Eastern Europe to be self-financing within two years. And I could still live & work in the USA.

Idea 2: For an investment of $100k, I could make the most lucrative sustenance service for students.

Idea 3: For an investment of $50k, I can create a stunning service tool for local young people to explore their social development skills in a focused musical/ performing environment.

Idea 4: For an investment of $1.5m I could ensure 150,000 children a YEAR in SIX countries have access to regular musical tuition and instruments as well as ensembles, for 10 years.

Idea... In fact, I've created over 40 very workable business plans that are now stored in a filing cabinet. And because of Providence ('Fate' for some people), history and lack of familiarity, they are extremely unlikely to see the light of day again. Consider them bad compositions in preparation for the big hit (Rapidly sliding towards 40, I sure hope the big hit comes soon!).

If only I hadn't done this, or if only I had done that. Would I be where I am now?
No.

So, there is no 'if only'.

"Nothing matters. Nothing, only love."
(Kings of Hearts, MTHS 1987)

The arts will survive. Again

I couldn't resist. This topic has hit me several times in the past two decades and yet again, artists in the 'arts' are panicking. And rightly so. This article is totally biased (like most of them) but the very valid reader comments are most enlightening.

So yes, the arts are a victim of the economic crisis. They have been before. And they've survived because artists continue to do their thing DESPITE autocracy! And they'll survive this crisis, too. What I actually like is the fact that many artists will NOT retain their full-time, mediocre, publicly ego stroking efforts to be 'someone'. Like me. I'm now earning my living and doing really fun and exciting art (music) on the side. Boy do I WISH it were full-time, and I constantly pray for some benefactor to dump their excessive musical dollars on my doorstep, but that ain't gonna happen anytime soon. So, I 'earn a living' in corporate and utilize my music in the world.

Everyone should yell and scream and moan and groan and perhaps some lucky artists will actually see some sustenance through the latest ludicrous bailout/stimulus, but don't worry. The arts are going nowhere.

An international 'International Music Day'

I dreamt/dreamed up a new project today. Nothing new, you say. True, but unlike the 780 billion others ideas I've budgeted (now why's that darn figure STUCK in my head, I wonder...) this one is exciting. What do you think?

While studying my list of 'national days' I noticed a distinct lack of music and performance related material. Lots of medical and tons of political, with a smattering of sports, but in over 1,000 national recognition days, not one music. But then google came to the rescue - there's the International Music Day. Heard of it? Nor me. October 1st, and I presume every year. It's coordinated in Australia by the International Music Council. Heard of it? Nor me. More interestingly, it's promoted/ supported/ funded/ cajoled/ whatever by UNESCO, or UN-ESCO, the United Nations Educational, Scientific and Cultural Organization. Heard of it? Right.

I don't know if UNESCO supports things like a Japanese University handbell choir playing a spanish song composed by a Frenchman, but I'm really glad they'd like to help people celebrate music on an international scale: even more kudos to the late Lord Menuhin (oh, for a peerage) for suggesting it.

So... my idea? [Tom Peters would love this: full of Excellence, Talent, Design, Implementation, Branding, Marketing to Women and Boomers]...

There are seven continents.
Let's host seven concerts
over the next seven years,
producing seven CDs and
seven DVDs,
each with seven pieces,
and why not produce seven documentaries for youtube, too?

The concerts, held on Oct 1 2009-2015 on a different continent, would have a piece composed about or by someone from each of the seven continents. My first program might look like this: Copland Fanfare for the common man, Ginastera Dances from Estancia, Ifukube Japanese Rhapsody, Westlake Antarctica Suite, Akpabot Three Nigerian Dances, Milhaud La Creation Du Monde, and Whitehead The improbable ordered dance. Of course, let's hope UNESCO is willing to help me find the $200000 needed to fund each show! Oh, and if you're wondering WHERE the concert on Antarctica will take place? LOL - I actually did some homework, and we'd probably charter a cruise ship and rent a small chamber orchestra from Oceanbound!!

Bliss 9 - an arts festival

This is a head's up - a private insight into a forthcoming event of mine. AND, quite an exciting event, too.

Bliss 9 is an arts festival in Morris County, NJ. For one night only, you'll enjoy experiencing a whole variety of art forms including concerts, a dance show, painters, jewelry makers and sculptors... and my jazz orchestra. Buy your tickets online in advance, and they're $29. On the day, they'll be $36, so I'd rather you buy them online (after Feb 1).

The event itself is on Friday, April 3 beginning at 6pm, with the live performances beginning at 8pm. Where? At the Hanover Marriott hotel on Route 10. Nice.

Oh, and there are a couple of spots left for exhibitors, but you should check out all the details on http://www.blissfestival.com/

It's worth saving up for, and bringing a couple of neighbors to, as well!

SEE YOU THERE

Perspective

Our entire life is one big fat glob of perspective, right?

Without perspective we have no vision, common sense (Pah!), purpose, feeling, desire, or reason.

Without perspective no-one would argue, call each other pathetic, 'persuade' others (the path to war), or vote.

Without perspective how would we learn, grow, serve, earn, or laugh?

The sudden passing of someone at age 60 because of a heart attack is nothing out of the ordinary - past or present - however sad. So why is it that we mourn the death of one person over another? Perspective. Indeed it is extremely sad to see classy British conductor Richard Hickox deprived of breath during the pinnacle of his career (in much the same way as comedian Tommy Cooper - wait for the musical joke at the end), but that's just my perspective. As well as that of a few hundred thousand others (read one of Tommy Pearson's many claims to fame here).

Perspectives develop with age, wisdom, that fantastic recurring anathema Common Sense, and circumstance. Religion vs. faith is all about perspective. Self vs. non-self is all about perspective (for self, refer to Western Civilization. For non-self, refer to Wikipedia). Jog vs. eat is a completely MAD perspective. To me, anyway.

On Saturday I was invited to chat with an esteemed mentor-ish type of person who, if circumstances were different, would be far more well-known, impacting and exciting that Hickox, Karajan, and even Lenny Bernstein. At least from my perspective. OK, 21 years ago George Marriner Maull was an inspiring teacher I got to 'experience' once a week while he imparted his PERSPECTIVE on listening vs. hearing, particularly in traditional 'classical' concert music. It affected me profoundly then, as it does now. In fact, George makes a living at it now. GOOD FOR HIM. I wish I had the resources to help explode The Discovery Orchestra into the global stratosphere of fundamental humanness.

Anyway, on Sat. George was characteristically generous with his time, knowledge, and perspective: 'Unvarnished' was his term. As always, I have a lot to learn, and much ego to dissolve (But that's just my perspective. NOT). And yet almost a week later I am still encouraged and looking forward to the rest of my life. (Of course, somewhat reducing the bad cholesterol levels will probably help). God bless you, George! May the State of NJ realize their funding is woefully misdirected. (Again, common sense: NJSO direclty reaches approx. 120,000 people per year. TDO's endeavors have reached approx. 37 million individuals. Duh.)

GO DISCOVERY ORCHESTRA !
(formerly the Philharmonic Orchestra of New Jersey).

Embarking on a musical career. Again.

Musical Revival
Before returning to America my living was made through music - performing, teaching and composing. Ever since childhood I developed and grew musical skills but never truly appreciated them [Check out www.stephenpbrown.com/performing.html for a brief summary of my musical history]. Since 2001 I have ventured into small business management, corporate USA, and even owned a restaurant, with only occasional forays into the music world. "What are you doing here?" is a question I've often avoided answering, but no longer: After considerable discussion and prayer with my terrific wife, Melissa, I am cautiously and sensibly reviving my musical career with new verve, perspective and know-how.

My recent appointment as the Artistic Director of the Jubilee Symphony Orchestra in Manahattan is only the ground floor of a campaign to conduct world-class orchestras throughout the globe. But I do need your help to get started. Things like websites, photos, promotional materials & goodies, musicians, recordings, etc, all contribute to the necessary costs of a genuine career launch. Of course, I have to pay the bills at home, too!

As a 'musicianary', I am well aware of the financial instability around us and trust you may consider the many ways we are all liable to pay taxes even in tight times - they are just as necessary for survival as our own income. Perhaps, instead of allowing the government to distribute your tax money, you may be willing to decide for yourself how your precious income should be spent. By donating to my nonprofit organization, the "Stone Cottage Arts Foundation", you are able to deduct 100% of that money from your tax bill*. Its all about perspective - even $25 or $50 will help stir a revival, although $1,000+ will ensure my musical and conducting skills are no longer wasted - and you decide if the money you set aside for taxes pays for government bailouts of private companies, or actually contributes to something worthwhile.

You decide.

THANK YOU
I am well aware that times are tough for everyone. Thinking of alternative ways to spend your tax money is probably not at the forefront of your mind right now, but remember: all donations to the Stone Cottage Arts Foundation are 100% fully tax-deductible*. Send a check to "Stone Cottage Arts Foundation" 228 Park Ave S #19265, New York, NY 10003, USA, or click on the donation link here. (Send a check and we'll receive your entire gift - pay online and a percentage goes to the credit card companies!). I look forward to sharing many exciting musical moments with you. Thank you.

*Chartiable giving laws vary from country to country. Please seek professional advice.

Big-time Time-beater Bashing

THIS LINK links to an article by Tommy Pearson that bashes the Berlin(ER) Philharmonic(ER) and Simon Rattles' performances at the British Proms earlier this month. Below is my brief response. I couldn't resist. Read Tommy's article first.

Always wondered what the Big Rattling Deal was about - especially hearing stories from his players over the years. I used to assume it was jealousy on my innocent arrogant part. LOL! But then if you (Rattle) win a major competition at age 19, what else should we expect, I guess? I shouldn't impugn. It's hard work and my hat comes off to everyone who prepares and performs. But Tommy - I have to agree with you. With the salaries these folks get, the experience, the exposure to every great performer ever... is the BP passioned out? Or was emotional conveyance never in their musical vocab? Great warm string sound. At times. As does the Philharmonia, the BBC Phil, the Cleveland Orch, the Philadelphia, the... Even in their own 'GROSS' hall I was never particularly impressed by the BP. It's comforting to know I'm not alone anymore. THANK YOU.